Stockhausen’s Gesang der Junglinge
Stockhausen became increasingly fascinated during the late ’50s with the spatial projection of music in the performance space. It can be said that Stockhausen’s Gesang der Jünglinge marked the beginning of the end of classic musique concrete. For Kontakte in 1958, using four-track tape, he devised a clever way make the sound of his tape music spin around the audience at various speeds. He did […]